Ahmedabad (Gujarat) [India], February 07: After the journey of Well Done CA Sahab, Aaditya Trivedi found himself looking ahead rather than looking back. The film gave him confidence, clarity, and a deeper understanding of the audience he wants to speak to. It also made him realise that there were stories he was ready to tell now—stories that needed a different emotional language and a different cultural rhythm.
That instinct has led him to his second film, a Gujarati feature he will write and direct. Choosing Gujarati at this point feels timely and natural. With the success of films like Laalo, the industry itself is closely watching Gujarati cinema—curious about what comes next, how the space will evolve, and how stories from the region can travel wider. Aaditya sees this moment not as a trend, but as an opportunity to tell stories rooted in emotion while thinking big in scale and reach.
This upcoming film is being planned with ambition, but also with restraint. The scale is larger, the sentiment deeper, and the intent clearer. At the centre of everything is the story—because for Aaditya, no amount of scale works unless the audience feels connected to what’s unfolding on screen.
The response to Well Done CA Sahab continues to stay with him. Watching the film trend on Waves OTT throughout the month was overwhelming, not just as a filmmaker, but as a storyteller. It reaffirmed his belief that audiences are eager for films that entertain them honestly—without talking down to them or relying only on formulas.
Alongside this Gujarati feature, Aaditya is also developing a Hindi film as a writer, currently in the early stages of development. It’s a quieter process for now, allowing the idea to grow at its own pace while his focus remains firmly on the Gujarati project.
At the heart of Aaditya’s cinema is a simple and clear motive: to entertain people in a meaningful way. He believes cinema should move people, make them think, and still remain accessible.
Coming from a theatre background, he strongly believes that when the story is strong and honest, everything else—performance and scale—falls into place.
As he steps into 2026, Aaditya Trivedi’s focus remains to celebrate his mother tongue through the cinematic medium.
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